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Robin Williams, a noite e o riso

por João Miguel Tavares, em 16.08.14

Na quinta-feira, escrevi no Público sobre a morte de Robin Williams e as razões por que ela nos toca tanto. Para ler aqui.

 

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13 grandes frases de engate da história do cinema

por João Miguel Tavares, em 11.11.13

Em 2008 andei a pesquisar para a Time Out, já nem sei bem a propósito do quê, grandes frases de engate do cinema americano. Eis algumas das que encontrei, que um homem nunca sabe quando elas podem dar jeito:

 

“Your husband told me you were the most beautiful woman he'd ever seen, but he didn’t say anything about the most beautiful woman I'd ever seen.”

 

(George Clooney para Catherine Zeta-Jones, Intolerable Cruelty/Crueldade Intolerável, 2003)

 

 

“I have loved you since the beginning of time.”
“But you only met me yesterday...”
“Why, that was when time began!”


(Errol Flynn para Mary Stuart, The Adventures of Don Juan/As Aventuras de Don Juan, 1946)

 

 

“You know what you are? You're God's answer to Job, y'know? You would have ended all argument between them. I mean, he would have pointed to you and said, “Y'know, I do a lot of terrible things, but I can still make one of these."


(Woody Allen para Diane Keaton, Manhattan, 1979)

 

 

“This is Jerry O'Neill”
“No nickname for you?”
“You can call me… anytime”


(Clint Eastwood, Marcia Gay Harden e Donald Sutherland, Space Cowboys, 2000)



"I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible."


(Billy Cristal para Meg Ryan, When Harry Met Sally/Um Amor Inevitável, 1989)

 

 

“Do you believe in love at first sight?”
“It saves a lot of time.”


(George Raft e Ann Sheridan , They Drive By Night/Paixão Cega, 1940)

 

 

“I used to live like Robinson Crusoe, shipwrecked among eight million people. But one day I saw a footprint in the sand and there you were.”


(Jack Lemmon para Shirley Maclaine, The Apartment/O Apartamento, 1960)

 

 

"You came back to this bar to see me tonight, didn't you."
"What if it wasn't you I came here to see tonight?"
"Well, ya’ got lucky."


(Paul Newman e Charlotte Rampling, The Verdict/O Veredicto, 1982)

 

 

“Do we know each other?”
“Why, do you think we're going to? Because I already know an awful lot of people and until one of them dies I couldn't possibly meet anyone else.”
“Well, if anyone goes on the critical list, let me know.”


(Cary Grant e Audrey Hepburn, Charade/Charada, 1963)

 

 

“I would give anything if you were two people, so I could call up the one who is my friend and tell her about the one I like so much.”

 
(Albert Brooks para Holly Hunter, Broadcast News/Edição Especial, 1987)

 

 

“That’s a nice dress. Where’s the rest of it?”


(Andy Garcia para Nancy Travis, Internal Affairs/Ligações Sujas, 1990)

 

 

“I hate to see you go, but I love to watch you leave.”


(John Travolta para Joan Allen, Face/Off, 1997)

 

 

“Hey listen, gimme a kiss. “
“Really? “
“Yeah, why not, because we're just gonna go home later, right, and then there's gonna be all that tension, we've never kissed before and I'll never know when to make the right move or anything. So we'll kiss now and get it over with, and then we'll go eat. We'll digest our food better.”

 
(Woody Allen e Diane Keaton, Annie Hall, 1977)

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